Course Description
Depending
on the programs, the courses at the Studio Vermès stretch over a
period of 12 to 14 weeks. The first semester begins in September and
the second mid -January or early February depending on the program.
BEGINNER COURSES
This course is designed for first- time photographers and low intermediates.
Each week we give a new, motivating theme as a starting point. We go out together and learn how to see and capture images around the designated theme using the city as our backdrop.
CLASS ORGANIZATION
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- Films and their development
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- Photographic terminology
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- “Reading” an image
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- Framing and composition
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- Interior and exterior photography
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- Black and white lab
-
- Archiving and organizing negatives both digital and film
ADVANCED COURSES
This course is for students who have already taken Photo 1, or can show through a portfolio that they already have learned and practiced basic techniques of black and white photography. The main goal of the semester will be expressing a specific theme elaborated and chosen together with the professors.
CLASS ORGANISATION
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- Different formats
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- Portraits and Auto portraits
- - Artistic Nude
- - Vintage
Techniques
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- Emulsions
- - Black & White lab Techniques
-
- Archiving and organizing negatives, digital and film
INDEPENDENT CLASSES
This class is for advanced students selected on presentation of a black and white or digital portfolio.
The
class has a triple objective :to consolidate what has already
been learned,to deepen the knowledge of the students, and to their
theoretical and practical competencies.
THEMES
-
This
class takes place in the private home of Philippe (portraitist and
fine arts photographer) and Nancy (retired university professor).
Conducted
more like a seminar, this course explores the history of photography
as a discovery and invention from its early beginnings in France
through its contemporary development and evolution.
Students
have easy access to the rich collection of photography books that
belong to the Vermès’ private library. We look at many images
together sorting through varying criteria that gradually allow us to
“read” an image. Little
by little we see emerging the characteristics of an aesthetic
characterizing not only early photography but also profiling
current trends. We describe and analyze photographs that display
photography not only as a tool for reproducing reality but also as an
instrument for representing it.
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